The Next Passage
Author: K. A. Applegate
Date: 2000-04-01 04:00:00+00:00
Keywords: Animals; Extraterrestrial beings; Juvenile Fiction; Horror & Ghost Stories; General; Science fiction; Plot-your-own stories; Metamorphosis; Fiction; Specimens; Interactive Adventures
Description: SUMMARY: It's time for our next mission and it's up to you to decide whether you want to join us. You probably already realize that each mission -- each battle -- could mean infestation, or worse. You probably already realize that we win about as many as we lose. But we are managing to hold the Yeerks back, and one more person could make all the difference.Just so you know, there are going to be a lot of decisions to make. The right answers keep us alive. The wrong ones -- well that's pretty obvious. So what do you think?
Publisher: Scholastic Paperbacks

INTRODUCTION

My name is Rachel.

Who am I?

Just a kid. A kid with divorced parents and two little sisters. I go to school, do my
homework, hang out with my friends. If you saw me I bet you wouldn’t look twice. Just
another suburban mall rat.

Nothing special.

Funny how that sounds like an insult.

I bet you hate being ordinary. I bet you long for something to make you feel different and
special. You’re probably just waiting for something exciting to happen to you.

Be careful what you wish for.

One night something exciting did happen to me. I was given a weapon. A wonderful and
awful weapon. The ability to morph, to change from an average kid into an animal. Into a
bird or insect.

Only five human beings possess this weapon. Me; Cassie, my best friend; Jake, my cousin
and our leader; Marco, our own personal clwon; and Tobias, our lost soul. Five humans
unique in all the universe. Guess that makes us pretty special.

But along with the power to morph came a mission: Save the world. I’m not kidding. This is
no joke.

See, Earth is being invaded by the Yeerks, aliens with weak, repulsive bodies. Slugs.

Parasites.

The Yeerks want our human bodies. Our strong legs and hands. Our sensitive ears, mouths,
and eyes. They are taking over human hosts, entering their brains, controlling them,
rendering them utterly helpless.

So we fight. The five of us humans and Ax, an alien kid. An Andalite. The Andalites battle
the Yeerks throughout the galaxy. A war on too many fronts. One day the Andalites may
send reinforcements to Earth. Until then, we fight alone.

Each battle changes us. Transforms us on the inside as much as on the outside.

War is not a video game. In a real war, you make desperate decisions and deal with
desperate consequences. You spill blood and your blood gets spilled. You brush up against
death. You change. You’re warped until ever being average and ordinary again is an
impossible dream.

2

What would you do if you were given the chance to be different, unique, extraordinary? If
someone offered you the ability to morph, would you take it? And if you did take it, how
long do you think you would survive?

This is your chance to find out.

But I’m warning you. Think about it first. Think deeply. Ask yourself: Can you handle it?

3

Chapter One

The new kid.

You know the part.

Played it half a dozen times.

Your first day at a new school, the kids give you curious glances. A few say hi. Most don’t. A
concerned teacher assigns some suck-up to show you around. Help you find the cafeteria
and the bathrooms.

The only kids paying attention to you are the ones you wish would leave you alone. Losers.

Too friendly types. The normal ones are too busy with their lives to worry about some new
kid.

Lunch. You eat it alone at the corner of some cafeteria table.

You can’t wait to get out of there. To get off somewhere by yourself and blow off some
steam. The final bell is salvation. You head out on foot, exploring your new town.

Not so different from the last one. Dunkin’ Donuts. Burger King. Wal-Mart. Home Depot. A
mall with the usual stuff inside: Mrs. Fields, The Gap, Express.

You don’t want to go in there. Don’t want to face another crowd of strange faces. Instead
you dodge traffic and head into an abandoned construction site.

On one end, a highway. Bands of trees on either side. On the far end, a broad field. A
deserted place. A ghost town. A great place to be alone.

You kick around for ten minutes. Exploring. Checking out the big piles of rusted steel
beams. Pyramids of concrete pipes. Deep pits filled with black, muddy water. A pile of
gravel. Rocks the size of a Reese’s cup.

You pick one up and let fly.

THWONK!

The rock hits the concrete block with a satisfying noise. After a couple dozen throws your
aim even starts to improve.

THWONK!

THWONK!

THWONK!

You land three rocks in a row right on the same spot in the concrete. When the third hits,
the concrete crumbles. Weird. That stuff is usually pretty strong.

4

Whatever. Time to head home. Dinner with Mom and Dad. Homework. Then the same grind
tomorrow.

Maybe tomorrow someone will talk to you.

You’re heading out of the lot when you see it. A small box nestled down inside the concrete
block that fell apart. Sky-blue. Very plain. Small. Maybe five inches to each side.

Something about it draws you closer.

You glance over your shoulder before you yank it out of the block. The box feels heavy for
its size. You feel something when you pick it up. Something like an electric charge. Only it’s
not painful.

You hold the thing up to the fading light. There’s writing on it. Not English or any language
you recognize. Maybe it’s Greek or Egyptian.

You slip the box into your book bag. The thing looks valuable. You wonder how much you
can get for it on the internet. As soon as you get home, before dinner even, you post a few
messages.

The blue box is available to the highest bidder.

———

Chapter Two

Day Two at the new school.

Some guy named Marco insists on eating lunch with you. Not much better than eating alone.

You can’t wait to get home. That morning, there was already an answer to the “for sale”

notices you posted on the Internet. A guy says he wants to see the box. Says he’ll pay good
money.

You wrote him an E-mail. Set the timer on the computer so that he’d get your address right
before you got home.

Last period. You rush out of the building. Get home early and do your business.

One problem: You’re in the door about two seconds when you know something is wrong.

Your dad is home early. You can hear him talking to someone upstairs. And it doesn’t sound
good.

You take the stairs two at a time. Bound into your room. Your dad is standing feet wide,
pointing his service revolver at—

Something.

5

Something about the size of a retriever with eight stumpy legs, blue-and-tan fur, a scorpion
tail, and two arms. The thing is alive. Growing and changing right before your eyes.

“Whoa!” you say.

“Some kind of alien,” your father explains.

“An alien, no way!”

<Yes, way!>

You freeze, amazed. The voice is coming from inside your head! What’s even weirder: It
sounds vaguely familiar.

<Listen to me,> the voice continues. <Things are about to get really ugly around here. The
two of you need to hide.>

“Hide? Why do we have to hide?!” you demand.

<Because the alternative is to be dead.>

Dingdong!

The doorbell is ringing.

Your father doesn’t flinch. He’s military trained. He still has the gun on the—the thing. It has
stopped growing and changing. Now it resembles a blue-and-tan deer with a wicked
scorpion tail. That tail is definitely a weapon.

Idiotically, you’re wondering if the door is for you. Could be the buyer for the blue box.

Then—

BLAM! BLAM!

Your father is shooting! At what?

Fwapp!

The alien swings his tail! The gun goes flying. So does one of your father’s fingers.

“Hey!” you cry.

“Ahhh!” your father yells.

CRRRRUNCH!

Downstairs the door explodes in splinters. There is a severe, house-shaking pounding as
many large feet run up the stairs.

Your knees are rubber. Your bowels jelly.

6

You and your father stare as two creatures leap into the room.

They have feet like a T-rex. Necks like snakes. Large birdlike beaks. Three daggerlike horns
protruding out of their foreheads. Bent-back legs and very long arms. A curved horn blade
on each wrist and elbow. More blades poking out of knees and off the ends of tails. They
remind you of the monsters form Where the Wild Things Are.

“Uh. Wh-what are they?”

<I told you to hide!> says the voice in your head.

The Wild Things are joined by another blue-deer alien. Something about him sends a chill up
your spine. Somehow you know he is dangerous.

“Get out of here!” you yell.

<Get out of here?> the blue-deer alien says. <Why, you’ve hurt my feelings. I just received
your primitive transmission and I rushed right over.>

“Y-y-you want to b-b-buy the blue box?” you stammer.

<Oh, yes, definitely,> the alien says. <I do, I do. And I’m willing to pay anything. Let’s see,
what could I offer you for the box? I know!> He whips his tail and presses the blade against
your father’s throat. <I’ll pay you your father’s life.>

———

Chapter Three

<You are not getting the blue box,> says the other blue-deer alien.

You’re confused. You just assumed all of the blue-deer aliens were working together.

<Then this human will be separated from his head. I understand that’s usually fatal in
humans.>

Sudden movement!

Your father jerks his head back, away from the alien’s tail blade.

You run straight at the alien yelling, “Let him go!”

FWAPP!

FWAPP!

The two deer-aliens are fighting with their tails. The Wild Things move forward. Blades flash.

Your posters fly, your curtains tear, your books scatter.

7

BLAM! BLAM! BLAM!

Your father is in the corner, firing his gun with his left hand. He usually can’t even hold a
fork in that hand. But three circles appear in a Wild Thing’s chest. Down he goes.

Then—

“Hhhhrrroooarrrhh!” A throaty roar.

You turn to look.

An enormous grizzly bear is coming through your bedroom door! And behind the bear is a
huge orange-and-black tiger.

You’re crying and laughing all at once. This is insane! You wonder if you’re going nuts.

Suddenly you gag. Heave. You’re going to be sick. Maybe it’s fear. But you’re definitely
freaking out. You turn your back on the wild, insane violence and run for the toilet.

You’re just kneeling down on the tile when—

CRASH!

One of the Wild Things comes through the wall like a load of bricks. He leaps up, shakes
himself off, and hops through the wall to rejoin the fight.

Forget throwing up. Time to listen to the voice in your head and hide. You climb into the
bathtub and cower. The wall between the bathroom and bedroom is reduced to smashed
two-by-fours and torn Sheetrock. You can see glimpses of the battle raging in your bedroom.

Your father crawls in. he wedges himself between the tub and the toilet. He follows the
action in the next room, wildly pointing his gun here, there.

One of the deer-aliens begin to change. His skin and fur turn purple. His shoulders bulk out.

Two legs shrivel and disappear. The others grow bigger and stronger. Four arms sprout, two
from each shoulder. The arms are wrinkly down in the place where the hands should be.

And instead of hands there are bony red points.

FwooooooOOOMPH!

The wrinkled skin at the bottom of the arm zooms right out like a rocket! The cone hits the
remaining deer-alien and knocks him to his knees. Instantly, the cone hand retracts and
wrinkles up, ready to fire again.

<Now, let’s make this simple,> comes a commanding voice in your head. <I want the blue
box. I will have the blue box. Or all of you will die.>

You scramble to your feet. The box is in your backpack. “Fine!” you shout. “I’ll give you the
box. Just leave us alone!”

8

<No!> Another voice in your head. You have no idea where the voice is coming from, but
you know this message is meant for you.

<Listen to me,> the new voice says urgently. <I’m on your side! We can get you out of here
alive. But whatever you do, don’t give up that box.>

What do you do? If you turn over
the box, go to chapter 4. If you
refuse, go to chapter 5.

9

Chapter Four

You ignore the pleading voice in your head. You whip the blue box out of your backpack.

“Here!” you say, trying to be brave. “Take it.”

<Get it!> the commanding voice booms.

One of the Wild Things yanks the box out of your hand.

“Now leave!” you shout.

<Ha! Ha! Ha! These humans are such charming fools. Bring them as well!>

Another Wild Thing grabs you, practically yanking your arm out of the socket. Roughly pulls
you toward the door. You make yourself heavy, try to resist. But the Wild Thing just picks
you up like a sack of flour. It’s like trying to fight with a polar bear.

“No! Let me go or I’ll kill you!” It’s your father. He’s being dragged down the stairs behind
you. A Wild Thing on each side, picking him up under the arms.

Through the living room and out into the kitchen. Out the back door and straight into the
back of a moving van.

The Wild Things toss you down in the back of the van. Your father lands next to you.

Then—

Screaming outside. Your mother! When did she get home? She’s crying and begging to be
set free. A Wild Thing drags her inside, tosses her down next to your father.

She looks wild, terrified. “What’s happening?!”

“We’ve all lost our minds,” your father answers.

“What happened to your hand?” Your mother starts to wrap your father’s wound with a piece
of cloth she ripped from the bottom of her blouse.

You feel the van’s motor roar to life. You’re moving!

“Where are you taking us?” you demand.

The Wild Things don’t respond.

You twist around. A human is driving the van! You can see him through a small glass
partition. You bang on the glass. “Help us! Help us!”

The driver doesn’t turn around, but you can hear him laughing.

Minutes later, you stop at a warehouse.

10

The Wild Things roughly drag you inside. You struggle, but you can’t break free. Your
mother and ftaher are right behind you. Coming quietly now.

The warehouse is empty except for a few old cars. In the center of the concrete floor is a
circular metal staircase, leading down.

You hear noises. A deep sloshing, swooshing sound. Screams, terrified cries, shouts.

The Wild Things drag you down and down until you must be ten stories underground. A
strange smell tickles your nose. It’s almost like…dust or lightning.

You emerge in an immense cavern. In the very center is a pool, like a small lake. The water
inside moves like mercury. The surface of the liquid ripples and splashes. Something is
under the water!

“Barracudas,” your father says.

You laugh. “What is this? A movie set?”

Your guard stops at the end of a low steel pier stretched out over the water. Your parents’

guards head off to the right. Your mother is sobbing. Your father is struggling and cursing.

“Don’t worry!” your mother shouts.

“We’re going to get out of this!” your father shouts.

“Hey—where are you taking them?” you holler. “Stop! You can’t do that!”

You’re crying, too. Now you notice the cages lining the edge of the pool. The cages are full
of people! Men and women and children. They seem hopeless, beaten down. Most of them
are just staring off into space.

One of the guards opens a door and roughly shoves your parents in with the others.

“Mom! Dad!” you holler.

Now the guard is dragging you down the pier. You kick and scream. You have no idea what’s
going to happen but you know it’s probably not good.

At the end of the pier, the Wild Thing pushes you down. It twists your head. Forces your ear
under the molten liquid.

Then you feel it.

Something tickling your ear. Something pushing and probing into your ear canal.

“NOOOOO!” you yell.

Out of the corner of your eye, you can see it. Something gray and slimy. Like the world’s
biggest slug. And it’s crawling out of the sludge and into your ear!

11

The pain is incredible.

Worse than anything you’ve ever imagined.

The Wild Things haul you to your feet and let go. You want to run. To flee. To help your
parents. But you can’t move your legs. Can’t control your eyes.

What is happening? You wonder.

To your surprise, someone answers. <You are my host now.>

Suddenly, without wanting to, you are walking calmly down the pier. You want to see what’s
happening to your parents, but your eyes won’t move in the direction of the cages.

<Forget them,> says the voice in your head.

<No! Never!> you yell. Then—<Who are you?>

<Don’t you know? I’m the Yeerk in your head. I’ve settled down into the crevices of your
brain. I control your body now.>

<H—How?> you demand.

The voice in your head laughs. <You tried to bargain with Visser Three! What a fool! You’re a
slave now. A slave forever. And your parents will share the same fate. Hahaha!

Hahahahaha!>

What were you thinking? Go back
to page 9 and try again.

12

Chapter Five

“No!” you say defiantly. “The box is mine.”

<Attack!> says an awful commanding voice in your head.

“No, wait!” you say.

But it’s too late. The terrible purple nightmare monster, the Wild Things, the deer-alien, the
bear, the tiger are all focusing on you.

You back against the tile wall, getting as far away from them as possible.

The grizzly moves first. It bellows, lowers its head, lands on all fours, and runs straight at
you. Like a runaway train. Behind the grizzly, like heat-seeking missiles, come two massive
cone hands. They’re heading straight for you.

You close your eyes.

But you can’t close your ears.

WHUM-WHUMPH! WHAM! CRUNCH!

You open your eyes. The cone hands missed. Yes!

Then—

WHOMP!

A mountain of bear sweeps you up and shoves you through the shatered plaster and glass.

For one stunned second you are flying. You can see the evening sky. A tree branch. You
windmill your arms. Then—

WHAM!

The air explodes from your lungs as you hit the ground. Your spine crunches. Teeth slam
together. You fall backward and your head hits the ground.

WUMP!

Blackness.

You wake up amidst the smells of hay, medicine, and animal poop. You’re surroundd. Five
kids standing around you in a circle. Solemn, tired-looking kids. One of them looks familiar.

“You’re Marco,” you say with a little laugh. “We had lunch together today.”

Marco nods and gives you a little wave. The others introduce themselves. Jake. Cassie.

Rachel. Ax.

13

They explain about the Yeerks, about the invasion. You learn some vocabulary. The Wild

Things are called Hork-Bajir. The deer-aliens are Andalites.

“What about my mom and dad?” you ask.

Marco walks over and stands right in front of you. “Your parents have been taken to a secret
underground facility called a Yeerk pool. Picture a sludgy, cesspool of a pond the color of
molten lead. Hork-Bajir warriors will drag your parents out to the end of a pier. They will—”

“Marco!” Cassie says angrily.

“They will drag them out to the end of that pier and they will kick their legs out from under
them and force their heads down into the sludge…”

You stare as Marco drones on. His words stab you in the gut. You don’t absorb it all. But you
understand your parents are slaves. Slaves of the saddest sort.

An intense anger hits you. A desire to strike back, to send these Yeerks back to wherever
they came from. You want to save your parents. You have to.

“It’s too late to help your parents,” Jake says quietly. “And as of now, you have no home and
you can’t go back to school. You do, and they Yeerks will find you. And it’ll be you taking
that long walk down the steel pier.”

Your mind can’t grasp it. You try to argue, to convince yourself it’s just a trick. But they
prove it to you. Ax, a disturbingly pretty boy, turns into an even more disturbing-looking
alien. What you now know is an Andalite.

“There is one nice thing about all this,” Cassie says. “There is a compensation for all the
danger and all the fear. Any animal you can touch, you can become. A dolphin, a skunk, a
wolf.”

“An elephant or a grizzly bear,” Rachel says.

“A gorilla. A shark,” Marco says.

“A tiger, a fly, a cockroach,” Jake says. “Any animal. Any size. But only for two hours at a
time. You can never stay in morph for more than two hours.”

“Why?” you wonder.

And then you meet Tobias. He was trapped in his red-tailed hawk morph. Now, he lives his
life as a bird of prey.

They give you a few hours to think about it. You take a walk in the woods behind Cassie’s
farm. You try to think, but your mind refuses to track. Your jaw hurts, your back aches. You
keep thinking about your parents.

14

Unreal. Your whole world shattered, ruined. You feel hopeless as you head back to the barn.

The others are waiting for you.

“I’m ready,” you say.

Someone produces the box. Your box. The box that destroyed your life. They toss it to the
alien.

<Press your hand on the square nearest to you,> he tells you.

You step forward and press your hand down on the cube.

“It tingles,” you say.

<You may remove your hand now,> the alien says.

You do, thinking that the experiment has failed. You don’t feel any different. The others are
guarded, but they smile and shake your hand.

“I want to try it,” you say.

Cassie leads you into a horse stall. “Put your hand on his neck,” she tells you.

The horse turns and gives you a surprised look. Then he ignores you, going back to eating
his hay. His fur feels rough and warm.

“Focus your mind,” Cassie says. “See the horse in your imagination. Think about him, what
he is, what he represents.”

You close your eyes, concentrate.

“Now take your hand away,” Cassie says softly. “You have the horse inside you. His DNA is in
your blood. You can become him. Try it.”

This is ridiculous, you think.

But you have to be sure. You close your eyes. Imagine the horse.

Nothing happens. All you feel is a little itching, a distant sensation in your legs.

“HrrrEEE-hee-hee-hee!”

Your eyes jolt open. The horse is panicking. Rearing up, nickering just a foot away.

When you look down, you understand why.

Your chest, your hands are covered with sleek rown fur. You can see your hair flowing
around your waist, but it doesn’t look like your hair. It looks like a horse’s mane.

“Agggghhhh!” you scream.

15

“HrrrEEE-hee-hee-hee Hrrr-EEEEE-heee-heee-he!”

“Watch out!” Rachel says. She pulls you out of the stall, away from the panicked horse.

You stumble back blindly, mesmerized by the sight of your feet exploding out of your
shoes. Growing, rounding, turning into hooves.

Your body is getting longer, heavier.

WHUMP! You fall forward onto all fours.

The horse’s mind creeps in. It’s nervous, frightened. But not as frightened as your own true
mind.

Cassie leads you out into the pasture. It’s gray, raining. But the fresh air quiets the horse’s
mind. Without thinking you begin to run.

Amazing!

You feel strength flowing through your legs, your back. More power than you have ever
known! You run until your coat is sleek with sweat and rain. Until your slender legs tremble
with exhaustion.

Your anger over your parents gives you an intense adrenaline rush.

“That’s enough!” Cassie yells. “Don’t let the morph control you. You can’t forget your two-
hour limit.”

Suddenly you have a new fear. How will you ever undo these changes? Will you ever be
human again? You walk back into the barn and focus on your own body. You almost cry with
relief when the changes begin.

The others are waiting, watching you curiously.

“How was it?” Rachel asks.

“Fun,” you admit.

Cassie smiles at you.

“Morphing isn’t a game,” Jake says darkly.

“No,” you agree. “It’s a weapon. And I’m ready to fight the Yeerks.”

———

Chapter Six

The pleasure fades out of Cassie’s face. “A weapon. Yeah, I guess that’s what morphing is

16for us.”

“A weapon we can share now that we have the blue box,” Jake points out.

You feel their attention slip, shift, and lock on this new topic. They debate using the blue
box to make an army of Animorphs. You try to follow. But it’s like when your parents talk
politics or discuss the stock market. You don’t really know enough to have an opinion and
nobody asks what you think.

Jake, Rachel, Marco, and Cassie do most of the talking. Ax offers an occasional opinion.

Tobias is mostly silent. He’s in his red-tailed hawk form, up in the rafters. Even though he
doesn’t say much, you somehow never forget he’s there.

You feel left out. The six of them—they’re obviously a tight group. You suddenly hope the
others use the blue box again and again. Then you won’t be the only outsider.

The rain is plinking on the barn roof and the animals are rattling in their cages and Tobias is
preening and Rachel’s voice is rising as she argues a point and Marco is rolling his eyes at
her when—

It all stops.

All of it.

Every sound. Silence.

The rain. Silence.

The Animorphs in their debating poses. Frozen.

The barn full of animals. Stopped dead.

Frozen. Still. Motionless. Everything and everyone.

Except for you.

You look up at Tobias. He has one talon off the rafter, wings half-open for stability. Frozen
in an impossible pose.

Slowly, cautiously, you move to the door.

Raindrops hover in the air.

You’re frightened, amazed. It’s as iff the whole world were a video and someone hit the

“pause” button.

You feel small and powerless and terribly alone. Somehow…forgotten. Yo have an
overwhelming desire to stand still, to blend in with the frozen world.

A raccoon stands up on its hind legs. You jump about two feet. Especially when the raccoon
walks through its wire cage. Simply passes through the bars like they’re air.

17

The raccoon lumbers to you, and puts one black-and-white paw on your knee. He looks into
your eyes and says <I am the Ellimist.>

“Are—are you an alien?” you ask.

<In a manner of speaking.>

“Did you stop…everything?” you ask.

<Yes.>

“How?” you ask.

<From your perspective, I am an all-powerful being. Human perspective however, is
extremely limited.>

“You stopped the rain?”

<Yes.>

You relax a hair. Almost. This, this Ellimist— whatever it is—doesn’t seem to mean you any
harm.

“Why?” you ask.

BECAUSE YOU’VE ANGERED ME!

You feel a chill crawl through your body as the sunlight blinks out. You are in total darkness.

Floating in a featureless void. No up. No down. And the Ellimist’s voice comes from
everywhere at once. And from nowhere.

“I—I’m sorry,” you stutter. “Wh-what did I do?”

YOU HAVE ALTERED THE STRANDS OF SPACE-TIME.

“But I don’t even know what space-time is,” you protest. Then—

You see it. It blinks on like a ride in a carnival.

Threads. Hundreds, thousands of them in all the brillian colors of the spectrum. Running in
every direction around you. Threads streaking off into the distance, curling back inside
themselves, disappearing, reappearing, twisting, raveling, and braiding. A chaos of
complication. And they are changing all of the time. Moving. Growing brighter or dimmer.

You can’t make sense of it.

No matter. It is beautiful.

“Is something bad going to happen because of me?” you ask.

18THAT DEPENDS.

“Depends? Depends on what?”

YOUR WORTH. YOU WILL TAKE A TEST TO MEASURE YOUR WORTH.

“What kind of test?” you ask, trying to sound strong.

DO WELL AND I WILL SAVE YOUR FAMILY FROM THE YEERKS. DO POORLY AND YOU WILL DIE.

“What kind of test?” you ask again.

The threads disappear. The darkness disappears. Now you are floating in a plain white void.

CHOOSE.

You look down. In your hand is a remote control with two round buttons. One is marked A.

the other is marked B.

If you push button A, go to
chapter 7. If you push button B, go
to chapter 18.

19

Chapter Seven

The white void is gone.

You are surrounded by color! Primary colors everywhere! Red, blue, yellow. Wherever you
are, the place seems to have been built of brilliantly colored blocks like Legos.

Coming straight at you is a gaggle of aliens!

Ugly aliens. Heads thrust forward on long necks. Triangular faces with the point toward the
top. Pink eyes stuck on short stalks. Gaping mouths with fat blue tongues and tiny blue-
tinged teeth inside.

Eight, ten of them. All thought-speaking at once.

<Human, sell me your memories!>

<Come visit my nightmare theater!>

Their necks protrude from shoulders like flat serving platters. Two arms drop from the
shoulders. Each one is jointed three times, ending in a grasping hand made up of three
clawlike fingers.

The aliens’ knees hinge the wrong way. The bottom part of their legs lay flat against the
ground, extending forward. The feet are naked and have one long toe and two short ones.

The grossest part is their midsection. It’s an accordion made of veined, pink flesh. It moves
up and down, wheezing and whining as the aliens beg.

<Your eyes will fetch top dollar in the best boutiques! Especially if they are still attached to
your head!>

<Your nose hairs are too long! I will braid them for you!>

You shrink back in horror. That’s when you realize you’re a dizzying distance in the air.

Inches from the end of a platform miles from the ground. A platform with no railing. Fall
and it would take a couple of hours to land. Suddenly you feel dizzy.

<Watch it!> Ax uses his tail to pull you away from the edge.

“Back off!” Jake says to the aliens. He roughly pushes one that comes too close.

“Iskoort,” Cassie says. She sounds puzzled.

You’re relieved to see all of the Animorphs are with you. Also, relieved that they seem to
know where you are.

<What are we doing here?> Tobias demands.

20“Don’t you remember?” Marco asks. “We joined the frequent fighter plan last time.

“One thing we are not doing is selling my hair,” Rachel says firmly. “It took me weeks to get
a decent ponytail after my last Iskoort trim.”

“I assume the Ellimist transported us here,” someone says. You realize you’ve never met the
kid who’s talking. He has brown hair, just a little over his ears.

“Hi,” you say.

“Hi. I’m Erek King.”

“Something tells me this is not a vacation,” Jake says.

YOU ARE CORRECT.

You clear your throat. “Turns out the Ellimist was a little annoyed we made another

Animorph,” you explain.

YOU WILL FIGHT THE HOWLERS AGAIN. THIS TIME IT WILL BE EIGHT AGAINST SEVEN. YOU WILL HAVE AN EXTRA

ALLY—FOR BETTER OR FOR WORSE.

“Why do I get the idea he knows something we don’t?” Marco asks.

Rachel shrugs. “We won last time. How hard will it be to beat them again?”

I WILL ERASE YOUR MEMORY OF THIS PLACE. YOU WILL BEGIN THE TEST AGAIN.

“That is so not fair!” Marco says.

“What’s not fair?” Jake asks.

“Huh?” Marco asks. “What are you talking about?”

“I—I don’t know.”

AND TO THE NEWEST ANIMORPH, CHOOSE YOUR MORPHS. I WILL PROVIDE YOU WITH THOSE YOU DO NOT HAVE.

ANDALITE, SHARK, AND KOMODO DRAGON. OR FLY, HAWK, AND HORK-BAJIR.

“What is this—McDonald’s?” Marco asks. “Do you want fries with that?”

Ax’s main eyes flicker toward you. Why? Does he dislike the idea of you morphing an

Andalite?

YOUR FRIENDS CANNOT HELP YOU. CHOOSE.

If you choose Andalite, shark, and Komodo

Dragon, go to chapter 8. If you choose fly,
hawk, and Hork-Bajir, go to chapter 11.

21

Chapter Eight

THE BATTLE BEGINS NOW.

“Howler!” Erek yells and points.

You look.

The Howler moves up a stairway and comes to stand on your platform. He is about the size
of a large man. Two arms, two legs, and five-fingered hands that look almost human. From
the wrist projects a retractable claw with four hooked, steel-tipped claws.

The head is black, pebbled skin. Beneath the black, in the cracks and creases of the flesh,
are lines of bright red. He looks like he’s made of molten lava.

He is wearing a series of loose belts around his torso. Each one holds a different weapon.

Dracon beam. Knives. Boomerangs. Guns of different sizes and shapes.

“Morph,” Jake says. “Ax? You take the lead. Tobias? Get some altitude. Erek? Stay about of
the way.”

Stay out of the way? You wonder about why Erek isn’t fighting. But now isn’t the time to ask
questions.

Ax has his tail bowed and ready, three eyes on the Howler. One on you.

A few steps back, the others begin to morph.

Orange fur sprouts on Jake’s hands and arms. His fingers swell into claws. A long tail
springs out from the base of his spine and immediately begins to twitch. He is a tiger; the
same tiger you saw fight in your house.

Rachel is morphing to grizzly bear. A massive pillar of rough brown fur. Marco is morphing
gorilla. Cassie, wolf.

Erek had moved back under the stairway. He was talking. “You’ve got to be careful of the

Howler’s voice. His howl will paralyze you, numb your senses—”

The Howler’s hand moves. He is reaching for a weapon!

You have to morph. But to what? Surely not a shark. You’re on dry land! That leaves two
choices: Andalite or Komodo dragon.

If you choose Andalite, go to chapter 9. If you
choose Komodo Dragon, go to chapter 10.

22

Chapter Nine

<Go for it!> Jake yells.

Go for it? You can’t! Not until you morph.

You look at Ax. Andalite, you think. Morph an Andalite.

Muscles ripple across your legs, adding bulk and definition at the same time. An extra pair
of legs sprout from your hips and muscle up with shocking speed.

FLUMMP! You fall forward on all fours.

You can hardly believe the effortless power. It’s like turning into Schwarzenegger without
even doing a single crunch.

You feel a distant almost-pain as the Andalite tail stretches out from the base of your spine.

Growing, growing, growing until it is almost as long as your body. You hold it up off the
ground.

SPLING!

The blade edge is the last part of the tail to burst out. It glimmers in the dull Iskoort
sunlight.

Your talk eyes grow out of your skull like an antenna rising out of an expensive sports car.

You hear the eyeballs pop out on the ends.

Paamp! Poomp!

Suddenly you can see everywhere at once. Up. Down. Left. Right. Front. Back. All 360
degrees.

Behind you, Iskoort. Some watching the fight. The others going about their business of
buying and selling. To either side, steep drops off the edge of the platform.

In front of you, the others surging forward. Rushing the Howler as a group. Tobias in the air.

Jake leaping. Cassie running low to the ground. Rachel galloping forward on all fours. Ax
moving swiftly to the Howler’s right. Marco moving surprisingly fast on his bowed legs.

You don’t know what to do! How can you help the others? But then the Andalite mind wells
up under your own. The mind is arrogant, almost cocky. Result: Your panic fades. You are
ready for battle.

The Andalite mind is calculating, thinking strategically. You need to get in close. That’s the
only way you can use your tail.

23

You run forward, hooves thundering against the smooth Iskoort pavement. You feel clumsy
and unsure. Having a strange new body is like playing a video game when you’re not sure
how all of the controls work.

“Hhhhhrrroooowwwwrrrr!” Jake roars as he leaps.

You are there! In the battle. Moving onto the Howler’s left. You flex your massive tail muscle
and let it rip.

FWAAPP!

You stumble sideways, knocked off balance with the impact.

The Howler’s hand drops. The weapon clatters down. But before the weapon stops rolling,
the hand is growing back!

You draw back for another strike. But your tail hits Marco’s chest, drawing blood.

<Watch it!> Marco shouts.

<Draw your tail back over your own body!> Ax instructs.

<Sorry!> you yell.

Then the Howler lets loose.

“KEEEEEEEEEEEEEEE-row.”

The sound is a blast like nothing you’ve ever heard.

Cassie howls in pain.

“KEEEEEEEEEEEEEE-row.”

Jake misses his leap and falls in a tangle on the steps. Rachel trips and falls, landing on top
of Jake. Tobias is falling out of the air.

Everything blurs. A swirling, mad, red, blur. You reel and run! You clasp your strange

Andalite fingers over your ears and feel blood seeping between your fingers.

“KEEEEEEEEEEEEEEE-row.”

The third howl knocks you to your knees.

You die with blood flowing from your eyes and ears.

Howlers are weapons designed to kill sentient species.

Bad morph choice. Go back to page 21 and try again.

24

Chapter Ten

<Attack!> Jake yells.

You concentrate on the Komodo dragon. Drawing up a mental picture of the creature is easy
enough. You once saw an hour-long special about the dragons on PBS.

Your skin dries and thickens. Then, rapidly, it turns Godzilla-green and pebbly. Your fingers
lengthen and your fingernails grow pointed and sharp.

Your tongue is stretching, narrowing until it hangs down over your chin. You watch in horror
as the tip splits in two and the entire thing turns yellow. The tongue twitches. Without
thinking, you slurp it into your mouth.

Food!

You spin around.

The wind is coming from behind you and it carries the smell of rotting flesh. Half a mile
away is something dead, something you can eat. You start to trot toward it. The dragon’s
mind is simple, ancient. A predator’s mind. Focused on only one thing: food.

You run forward on your half-human, half-dragon feet. That way—the sweet, rotting smell is
coming from there.

No…wait! This isn’t what you’re supposed to be doing. With an effort, you force yourself to
stop running. You gain control over the dragon’s mind.

By now your jaw has shot out and filled up with large, curved, jagged teeth.

Your neck gets bigger and bigger. You lower yourself down on all fours as an enormous tail
begins to stretch out from the base of your spine.

ERG! ERG! ERG! ERG!

The tail spurts out in bursts.

One foot! Two feet! Three feet! Four feet!

FWAAPP!

Ax and the Howler are already fighting.

Tobias hurtles down on the Howler from above, talons outstretched.

You hear a clatter as the Howler drops a weapon. The sound is strange, distorted. Your ears
have shriveled up and disappeared.

Cassie is fully wolf now. She runs forward, teeth bared. Marco lumbers forward on gorilla

25legs.

Your eyes migrate to the sides of your head. Through the dragon eyes, the colors of the

Legoland look washed out. Then—

Movement!

<More Howlers!> you yell in thought-speak. <They’re coming down the stairs!>

“Hhhhhrrroooowwwwrrrr!” Jake roars as he leaps.

Rachel barrels ahead on all fours.

Then one of the Howlers lets loose.

“KEEEEEEEEEEEEEEE-row.”

Cassie howls in pain. Jake misses his leap and falls in a tangle on the steps. Rachel trips and
falls, landing on top of Jake. Tobias falls out of the air. Ax is reeling, running.

You hear…nothing.

Yes!

The dragon’s hearing is somehow insensitive to the Howlers’ most powerful weapon.

The Howlers are circling the others.

You have to attack! The dragon’s mind resists. The dragon wants to find someplace and
hide. Find someplace and wait until the prey draws near….

“KEEEEEEEEEEEEEEE-row.”

Marco swings a fist, hitting a Howler on his arm and spinning the creature sideways. The

Howler twirls around on his weird waist and brings up a weapon.

F-t-t-t-t-t-t!

He fires! A dozen steel darts, tiny triangles, whiz through the air. A bloody hole appears in

Marco’s back. He drops like a load of bricks.

Cassie recovers enough to bound into action. The Howler raises the gun, but too slow. Wolf
jaws clamp down on the arm and Cassie holds on like a bulldog, ripping, tearing.

You force the dragon forward. You move fast, your claws making a sound like a muffled
machine gun. All you can see are the Howlers’ lava-like feet. You bite with your strong jaws.

Rip at the exposed flesh with your claws.

Nothing.

No cry of pain.

26Is the Howler even hurt?

You can’t tell.

Yet the dragon mind is satisfied, ready to rest. The dragon knows these Howlers will die.

Your bite contains a poison. The Howlers will grow weak in a few days’ time.

A few days? You don’t have that long!

One of the Howlers draws his flechette gun. He shoots triangular steel darts at you.

You are killed before you can morph out. Go
back to page 21 and try again.

27

Chapter Eleven

You’re behind Jake, Cassie, and Marco as their bodies begin to grow muscles, fur, and claws.

You can hear Tobias’s wings fluttering above you as he gains altitude.

Ax and the Howler face off, circling each other for half a turn. Then—

FWAPP!

Ax slashes out with his tail blade, knocking the Howler in the shoulder. Spinning him around
on his weird lazy-Susan waist.

The Howler uses the momentum to bring up a weapon. A Dracon beam. He fires.

Ax dodges. The shot goes wide.

You’re confused. Everything is happening so fast! You’ve only morphed once. And you’ve
never been in battle before. “What should I morph?” you demand.

Nobody answers.

The Howler aims again. Point-blank at Ax’s head.

“Ax, go left!” Erek yells from his place under the steps.

Tobias swoops out of the air with his claws forward, aiming for the Howler’s sky-blue eyes.

The Howler brings up a hand, moves sideways.

Hawk, you dceide.

“Six more Howlers,” Erek reports. “Coming up the stairs.”

<Forget the battle mor—> Jake says. His orange-and-black tiger fur rapidly begins to fade.

His muzzle collapses and his human mouth reemerges. “GGGGrrrroaro—Go fly! That means
everyone.”

You focus on the fly DNA inside you, and begin to shrink. Spiky legs grow out of your chest.

Your internal organs melt away to be replaced by simpler insect organs. Your mouth and
nose sprout out to become a horrible, long proboscis.

The bright Legoland is a shattered mirror of images. The fly’s compound eyes see with a
thousand tiny, irregular, bewildering TV sets, each tuned to a slightly different channel.

“The Howlers are here!” Erek cries.

<Let’s go!> Jake yells.

You power your fly wings and take off like a jet helicopter—straight up! You see massive
red-and-black hands reaching for you. One gets close and you hit reverse, zipping back

28through the clutching fingers.

With your compound eyes the Howlers seem to be made of glowing purple and blue with
pulsating black veins. The facets in your fun-house-mirror eyes break them into pieces. They
are everywhere around you as you fly unmolested, unnoticed.

You do a midair flip and zip after the others.

<Some fight,> Rachel says.

<Yeah,> Marco agrees. <We showed them who’s boss.>

At least we escaped, you think.

———

Chapter Twelve

You find an Iskoort guide. A place to hide.

That evening, you sleep in shifts. Two on guard at all times. You’re on watch with Erek,
staring into the darkness. Watchful for any sound that may signal a Howler attack.

“You can relax,” Erek says. “I will hear the Howlers coming long before you will.”

“Why?” you ask.

“I am Chee,” Erek tells you. “Part of an android race created thousands of years ago. My
hearing is vastly superior to human hearing.”

“Is that why you served as a lookout today?” you ask.

“No,” Erek says. “I could not fight. I am programmed to be nonviolent.”

“Who programmed you?” you ask.

“The Pemalites created the Chee,” Erek explains. “The Pemalites were a peaceful race. Then
one day, the Howlers appeared out of Z-space and decimated them. I will help you defeat the

Howlers any way I can. However, I cannot kill or hurt a living being.”

After two hours, Rachel and Tobias relieve you. Erek, being an android, needs no sleep. You
curl up on one of the soft beds the Iskoort have made available to you. Try to get some
sleep.

A smell like oil and mothballs and…

“Insecticide!” Rachel says.

You come awake with a jolt.

<Howlers!> Tobias yells.

29

What to do? The Howlers are pumping poison into your hideout. They have learned fast. Too
fast. Insect morphs are no longer a choice.

What morph do you choose? If you choose
hawk, go to chapter 13. If you choose Hork-

Bajir, go to chapter 17.

30

Chapter Thirteen

The stench of poison is growing stronger by the second.

You’re already morphing to hawk. Feathers sprouting out of your skin. Flesh oozing and
shifting like mud sliding down a hill. Your face crumpling, then extruding as a hard beak
forms. Toes becoming talons.

The others are morphing birds, too. You could stock an aviary. A blad eagle, a pair of
ospreys, a northern harrier, two red-tailed hawks, and a peregrine falcon.

<Erek!> Jake demands. <Can you project a hologram through another window? A hologram
of us?>

“Absolutely. There would be no harm to the Howlers, and it might save you. That would be
well within my parameters.”

<On three,> Jake says. <One, two, NOW!>

The far window slides open. Instantly seven birds fly toward it. Dracon beams burn.

Flechette guns rattle. The Howlers are attacking the hologram. Jake’s plan is working!

The near window opens. You spread your wings and flap with all your strength.

You blow out of the window, flapping like crazy, desperate for every foot of distance. The
others instanly pull ahead.

But you’ve never been a bird before. You’re overwhelmed by your freedom to move in three
dimensions. By the eyesight that makes each puffy orange Iskoort tree a composition of a
thousand details.

TSSEEEEW!

<Aggghhh!> you yell.

A pain! Like a red-hot poker driven into your wing. You’ve been hit!

<Down, down, down!> Jake yells.

You’re still flying! Okay. The Dracon blast wasn’t bad. It’s not over yet.

The others are diving. Down into the maze of trees and bushes and flowers. You follow,
blazing along the lane, inches above the heads of Iskoort out walking in the early light of
dawn.

B-r-r-r-r-r-r-r-t-t!

A line of flechettes tears a tree apart inches ahead of you.

31The Howlers are after you!

You turn a sharp left, banking around a line of trees. A Howler bursts from the vegetation
ahead.

<Pull up!> Tobias yells.

Tseeeew! Tseeeeew!

Marco’s left wing is gone, falling like burning embers among the strolling Iskoort. Marco
tumbles, out of control, falling like a stone. He hits the ground, disappears from view.

Jake dives after him.

A Howler jumps from an overhanging tree. He aims his beam weapon even as he falls.

Tseeeew! Tseeeew!

<Aggghhh!> Jake hollers.

<We have to help Jake and Marco!> you yell. You bank hard right.

Tree!

You swerve around, straining your wing muscles to the popping point. Straighten up. And
then—

Bonk!

You slam headfirst into a tree you never saw coming. You fall to the ground, knocked silly.

An Iskoort isstanding over you, staring down. <Call a member of the Embalmers Guild!> he
calls.

<I’m not dead yet,> you reply.

Jake is hollering in your head. <The Ellimist and Crayak have an agreement. They can’t kill
the Iskoort! Use the Iskoort for cover!>

<Ax! Behind you!>

<Here comes another one!>

The others are running for their lives.

Your head is starting to clear. You sit up.

Flap. Flap. Flap. Cassie lands next to you. <Are you okay?>

<Yeah…I think so,> you say.

<Then let’s haul!> Cassie takes off, straining for altitude.

32

You flap once, twice. You’re high enough to see a Howler. He’s bounding toward you, his
dead blue eyes focused on you. <Cassie—watch out!> you scream.

TSEEEW! The Howler fires!

You flap up, turn toward the Howler.

He brings his Dracon beam up, aims.

TSEEEEW! TSEEEEEW!

<Agggghhhh!>

Cassie tumbles out of the air.

<Cassie!> Rachel screams.

<I’m…I’m okay….I’ll demorph….Don’t worry.>

The Howler is closing in on Cassie, weapon drawn.

You dive.

Rachel dives.

You reach out, ready to rake the Howler’s bald head with your talons.

TSEEEEW! TSEEEEW!

The Howler fires at point-blank range.

<NO!> Rachel screams.

You stare down in horror. Cassie couldn’t have survived that blast. Her osprey body is
smoking. You can smell the acrid odor of burning flesh.

Suddenly a group of Iskoort come zipping down the path. They walk over Cassie’s body and
it disappears.

<Hey!> you yell.

Rachel swoops to attack.

<Easy, easy,> Tobias says. <It’s us.>

Erek has created a hologram of Iskoort. Ax, Marco, and Tobias are hidden inside. Erek drops
the hologram long enough to examine Cassie, to see if there is some way he can save her.

After a tense moment, the hologram reappears. “I’m sorry,” Erek says. “Cassie is dead.”

<No…> Rachel says. Her fierce eagle eyes are blank. But you can hear the pain in her voice.

33

The others are silent as you rendezvous with guide and find a new place to hide. An
abandoned factory. Filled with mysterious, dusty machinery.

Erek sets Cassie’s osprey body down on the seat of a strange machine that was like a merry-
go-round for tools. Rachel finds an old blanket and covers her up. You and Rachel demorph.

“What happened to Jake?” you ask.

<I saw him go over the edge,> Ax says.

“Is he...gone?” you ask.

<No,> Tobias says harshly. <I’m going to find him.>

“I’ll go with you,” Rachel says.

<No,> Tobias says again. <If they Howlers attack, you’ll need maximum firepower here. I’ll
go alone.>

Tobias leaves.

As soon as he is gone, Rachel turns to you, her eyes shining with grief and worry. Her
intensity frightens you.

“This is all your fault,” she says quietly.

Marco has also demorphed and watches silently from a few feet away.

<Rachel,> Ax says. <We are all sad. Blaming one another will not help.>

Rachel’s eyes are locked onto yours. Blazing with anger.

“My fault?” you ask meekly.

“You got Cassie killed,” she says.

“Rachel,” Marco tries.

But Rachel doesn’t back off. She’s right up in your face. “I want you to promise me
something,” she says.

“What?” you ask.

“That you’ll stay out of the way from now on,” Rachel says. “I don’t want you getting anyone
else killed.”

Do you promise? If you do, go to chapter 14. If
you refuse, go to chapter 16.

34

Chapter Fourteen

“Fine,” you say. “I promise not to take any more chances.”

Rachel finally backs off. Retreats to a corner with her grief. Marco and Ax go after her. You
can hear the three of them whispering but you can’t hear what they’re saying.

You sit with your back against a wall and wait for Tobias and Jake to return. Erek sits silently
a few yards off. You almost have the sense he is protecting you.

You’re numb. Horrified by Cassie’s death. Racked with guilt. But unsure what you could have
done to prevent it. Maybe if you had just ignored that box. Never picked it up.

Tick.

Tick.

Tick.

Hours creep by. Then—

Flap, flap, flap.

You jump to your feet as one—no, two!—birds fly into the factory. Relief rushes over you as
the others come running.

<Prince Jake!>

“Jake!”

“Oh, Jake…Cassie…Cassie is…”

Jake lands next to where Cassie’s small form is laid out. He begins to grow out of his falcon
form, to reemerge as human. As his human mouth forms, he lets out a scream filled with
rage and grief that turns your stomach.

Hours pass as Jake sits next to Cassie. The sun is going down when he calls you together. “I
have a plan,” Jake announces.

You put it in motion the next morning.

Guide leads you to an empty store at the end of a long, narrow street. Ax leaves. Goes out
for a stroll on the crowded streets, hoping to lure the Howlers to you.

Tobias, floating high above the narrow streets, reports the scene by thought-speak.

<The Howlers are sticking together. Not as cocky as they were, though. They should spot
him any second now. Any second now.>

“Do it now,” Rachel says to you.

35

You nod slowly, wishing you had never agreed to stay out of the way. Now that the plan is
underway, now that the others are facing danger, you feel like a coward.

“DO IT,” Rachel orders.

“All right!” You start to morph.

Down, down, down you shrink. You feel a loose liquid sensation inside as your human
organs slide and fuse. Coarse hairs grow on your arms, your legs.

Two extra legs explode out of your chest.

<What are they, blind?> Tobias wonders. <Ax is getting awfully close. The crowd is blocking
their view of him. Too many Iskoort in the way. Oh, man! He’s too…they see him! Ax-man,
run! Run!>

Your mouth and nose elongate into a powerful sucking straw.

The fly’s compound vision blinks in. you can see Rachel again. See her face from a thousand
slightly different angles. Only now her angry, accusing human face has turned into the fierce
face of a grizzly.

<Climb aboard,> Rachel says.

You power the crazy fly wings, zooming up and up and coming to rest behind the bear’s
upside-down U of an ear.

“It’s time,” Jake says. “I have to do this. Rachel, you know what to do. If I get out of control,
can’t control the morph. If I start that howl…you’ll have to do it.”

If Jake lost control of the morph, Rachel would…would do what she had to do. Quickly.

Before Jake could hurt any of us.

You’re lost in a dense thicket of brown fur. Clinging with your clingy fly feet. You can’t see,
can’t affect the outcome of the battle, but you can still hear what’s happening.

<They’re on him!> Tobias yells. <All six of them. Like hounds after a rabbit. Man! That boy
can run! Ax-man! Opening to your right!>

Tense minutes pass. You know Jake is morphing a Howler, but you can’t see it. Nobody
speaks. Until—

<You can let me go,> Jake tells Rachel.

<Are you sure?>

<Yeah,> Jake says. <This thing isn’t out of control. The killing is a game to the Howlers.

They’re having fun. They’re enjoying it.>

36

<Here they come!> Tobias yelled. <Thirty seconds. Crowd is thinning out, Ax-man! They’re
gonna have a shot!>

The sound of flechette guns, in the street outside our door, only a dozen feet from us.

<Aaahhhh!> Ax cries in pain.

<He’s hit!> Tobias yells.

WHAM!

You hear Ax’s hooves. Pounding that has to be a Howler following him. A scuffle. Thumps,
bangs, creaks. Moans. Groans. Flechette gunfire. The sound of fists impacting with flesh.

You guess that Rachel is running, fighting, dodging. You can feel the air moving over your
sensitive fly parts. But you can’t make out what is happening. Then—

<No!> Jake yells. <Forget them! This way!>

Staying down, hiding in Rachel’s fur, is unbearable. But it’s too late now. You can’t help.

You’re powerless in your fly morph. And you have your promise to keep.

The flood of sounds and vibrations continues. Some sort of weapon burning for minutes.

Slaps. Bodies falling. Guide whining with fear.

<NOW!> Jake yells in thought-speak. <Marco! The memory emitter! Now! He’s getting up!>

What’s happening? you wonder desperately. Where is Marco? Why isn’t he responding?

The plan was to pour all of your collective memories into the Howler’s head. Your life plus
the lives of Jake and Rachel and Marco and Ax and Tobias. Even Guide. And the long, long
memory of Erek. Once inside the Howler’s head, the memories would flow into the endless
pool of collective Howler memory.

Suddenly, silence.

No battle sounds.

No Dracon beam fire.

Quiet.

<What happened?> you ask cautiously.

“They’re gone,” Erek says. “The Howlers disappeared.”

———

Chapter Fifteen

37

Iskoort world vanishes. Simply disappears.

You are no longer a fly.

You are in your own true body, sitting in the back of a convertible limousine. A gentle
breeze blows on your face as you’re riding through New York City. Confetti floats down from
a cloudless blue sky. Cheering crowds line the street and shout your name.

“Who changed the channel?” Rachel growls.

<Ellimist,> Ax says.

“Ticker-tape parade,” Marco says. “Does this mean the Yankees won another World Series?”

You spin around and count your companions. Marco, Ax, Jake, Rachel, Tobias….

No Cassie.

ADMITTING YOUR LIMITATIONS IS NOT EASY.

The booming voice easily fills the canyon of skyscrapers.

“No joke,” you grumble.

YOU HAVE PASSED THE TEST.

“Thanks.”

BUT THE COST WAS HIGH. YOUR ACTIONS TOOK A LIFE. I WILL DO THE SAME.

“What? What do you mean?” you holler. “We had a deal. If I won, you would save my parents!”

ONE.

“That wasn’t the deal!”

YOU MUST CHOOSE.

“Choose? But that’s impossible!”

How can you choose? Choosing to let one of your parents live means choosing to let the
other die. Would your father wish to live with the knowledge that your mother was infested?

Would your mother wish to live with the knowledge that your father was a slave?

The rest of the Animorphs are watching you. Rachel angry. Ax resigned. Marco volatile.

Tobias’s hawk eyes fierce, impossible to read. And Jake…

Jake imploring. Haunted.

You know what you have to do.

38“I choose Cassie,”you say.

And she suddenly appears. Sitting between Jake and Rachel.

Smiling.

“Hey!” she says. “I love ticker-tape parades!”

Nice choice. Very nice choice.

39

Chapter Sixteen

Someone shakes you awake in the middle of the night. Ax. <Gas!> he says in thought-speak.

<Use your fly morph. We have to get out.>

You’re groggy, confused. The room is black. A darkness so deep it is featureless. You hear
someone pounding at the door, the others rushing around.

You morph.

You can’t see the ground rushing up, your nose stretching out, or the fly’s weird compound
vision blink on. But you are more aware of the changes going on inside you. You’re not in
pain. But you can hear the slooshing, slurping changes.

Then—

A rush of air! Not much, but clear to your fly senses. Something clamps down on you!

You power up your wings. Take off.

A ceiling!

You zoom forward.

A wall!

You hit reverse.

Another wall.

Bzzzzzzzzzzz…

Your wings hit against the ceiling and walls, making a sound like an insect trapped inside a
glass.

A glass…

You are inside a vessel ten times taller than you and half as wide.

Trapped.

<Ax?> you call. <Jake?>

No answer.

Demorph, you think.

You focus on your own body and begin to change. Soon you are a strange lump of flesh,
pressing out against the walls.

40But the vessel doesn’t break. The walls and ceiling press in, crushing you.

No, no, no!

You morph back to fly. You’re beginning to panic. Have the Howlers captured you? No, that
can’t be right. Howlers don’t take prisoners. Howlers attack. They’re not about stealth.

Then you remember…

Ax’s voice. Ax telling you to morph fly.

You’re a prisoner, but not of the Howlers.

You’re a prisoner of the Animorphs.

<Why are you doing this to me?> you ask.

Silence.

And then Rachel’s voice. <You’re a risk. We have to get rid of you before you get anyone else
killed.>

It takes two hours for you to become a nothlit. A person trapped in morph.

Two hours of horror.

You spend it crying, threatening, pleading.

You know when the two hours are up because someone lifts the glass and sets you free.

You’re a nothlit. And unfortunately flies only live
for two weeks. Go back to page 34 and try again.

41

Chapter Seventeen

Erek, Guide, and Tobias watch impatiently as the rest of you morph.

You go Hork-Bajir. Cassie and Marco morph osprey. Jake goes falcon. Rachel goes bald
eagle. Ax to northern harrier.

While the others shrink, you shoot up to two-feet. You are tall enough to brush your head on
the ceiling of the Iskoort room.

Your face elongates. The jaw bulges out and becomes smooth as a bullet. Lips stretch out
and out. Your eyes narrow.

Your skin turns green-black. Your toes shift and merge into the three-toed, one-spur feet of
the Hork-Bajir. Your tailbone bulges out and grows vertebra by vertebra.

Turning into a Hork-Bajir is bizarre, to put it mildly. The last time you saw one of the
nightmare creatures, they were tearing your house to shreds. Now you are turning into one
of the “Wild Things.”

SHWOOP! Blades slide from your forehead.

SHWOOP! Blades at your wrists and elbows!

SHWOOP! Blades at your knees.

You like this morph. You feel secure in this body. Strong. But you brace yourself, expecting
to struggle with the violent Hork-Bajir mind. It floods in as a rush of instincts. But not violent
instincts. You want to…run. Run and climb.

<Let’s go!> Tobias says. <Birds don’t tolerate poison that much better than bugs.>

<Neither do Hork-Bajir,> you say. The fumes are starting to make you dizzy.

<Point taken,> Jake says. <On three. One, two, NOW!>

The others move toward the window. You let them go first. Six birds flapping desperately.

You climb out on the narrow ledge, knowing you have to hurry. You look down. You’re five
stories up. It’s dizzying, terrifying.

But the Hork-Bajir knows no fear. Doesn’t understand the concept of falling. You let the

Hork-Bajir instincts take over.

You swing your talon feet out of the window, then flip around to face the room. You cling to
the windowsill with strong four-fingered hands.

Down! the Hork-Bajir thinks.

You give a little kick to place your knee blades.

42

Srreeeccch!

Your blades won’t grip! You scramble, trying desperately to bring yourself back up, to crawl
back through the window.

But now gravity is pulling you down. The poison is slowing your reflexes. The Howlers are
running and leaping around the corner of the building. They’ve seen you!

Srreeeccch!

Srreeeccch!

Srreeeccch!

Srreeeccch!

Your horn blades sound like fingernails on blackboard as you slide down the Iskoort façade,
gathering speed. Then you lose even that tenuous connection.

Splat!

You’re dead.

Bad morph choice. Hork-Bajir blades are
adapted for bark—not Iskoort buildings. Go
back to page 30 and try again.

43

Chapter Eighteen

The white void vanishes.

You’re in a forest. Surrounded by trees and massive shoulder-high ferns. Bright, buttery
sunlight filters through the leaves.

“Hrrrrhuh!”

You jump. A grunting, snuffling sound is coming from behind you. You hear branches being
pushed back. Something moving. Something big.

“What’s that?” Cassie asks apprehensively.

Ax turns in a slow circle, tail blade ready.

<I’ll check it out,> Tobias offers. He flaps up through the trees.

Crash! Crash!

Still behind you. But closer.

“HuuuuRROOOOAAARR!”

Wham! Wham! The ground shakes with the impact tremors. Something is coming!

<Run!> Tobias shouts.

You don’t have to be told twice.

Crash! Crash! Crash!

The earth trembles! You have to fight to stay on your feet, to keep moving forward.

“HrrrrrRRROOOOAAAARRRR-unh!”

Right behind you! You glance back. What you see almost makes you pee in your pants.

You’re being chased by…by a reptil. But it’s a reptil out of a Godzilla movie. It’s half the
length of a football field and the size of a small house. Its jagged teeth glimmer wetly.

“T-rex?” you mutter in horror.

Impossible!

Crazy!

And only a few feet away!

“HrrrrrRRROOOOAAAARRRR!”

44

Run!

Your heart is hammering against your rib cage, your skin is covered in cold sweat. You’re
screaming, crying as you flee. Leaves slap your face. Twigs whip your bare arms.

The others are ahead. You catch glimpses of them.

CRASH! CRASH!

You push hard. Run all out.

The T-rex is gaining.

Maybe a foot away now!

CRASH! CRASH! CRASH! CRASH!

A root catches your foot! You’re flying, tumbling. Then—

“Ah!” You hit the ground hard. You can’t breathe. Can’t move. You’re frozen from sheer
panic.

Down comes the T-rex’s head. Hungry eyes lock on your gut. You can feel the heat of breath
on your face. It smells rancid.

This is the end. You squeeze your eyes closed. Then—

CHOOSE YOUR MORPH. COCKROACH OR WOLF.

The Ellimist.

“What are you doing?” you yell. “Trying to get me killed?”

You open your eyes. Expecting to be safe. Expecting to see the world on “pause.”

“HRRRRRRRROOOOAAAARRRR!” Inches away from your nose, powerful jaws roar open. You
see rows of teeth, a sofa-size tongue.

“Aaaaggggghhh!” you scream.

CRUNCH!

The T-rex chomps its jaws a hair’s width from your right ear. You grab your ear with both
hands. Crying, trembling.

CHOOSE.

If you choose roach, go to chapter 19. If
you choose wolf, go to chapter 26.

45

Chapter Nineteen

You roll. Stumble to your feet.

What good is a roach morph? What good is any morph now? T-rex is going to turn you into
dinner before you have a chance to morph.

The massive head comes down again. So close you can see the pebbly skin, look into one
dark, damp nostril.

Instinctively, you dodge behind a tree.

You focus some small part of your brain on the roach. Imagine the small, easily compactible
body. Long to become it.

“HrrrrrRRROOOOAAAARRRR!” The T-rex screams with rage.

WHAM! WHAM!

It’s coming around the tree for you.

You can’t hide.

You can’t outrun it.

You can’t morph fast enough.

Only one chance.

You run straight for the gaping maw. Get splashed by dripping dinosaur saliva. Graze your
back on the huge chin.

You run through dinosaur legs as big as massive columns. Under a belly that rises above
you like a low-slung pebbly gray ceiling.

The T-rex can’t reach you. Can’t get its massive head unde rits legs. It leaps up and spins
around, turning almost gracefully except for the tree it knocks over with its tail.

As you run you’re starting to shrink. Four feet. Three and three quarters. Three and a half.

Looking down at your feet, you see your chest cover with an armor plate of brown cockroach
shell. It’s disgusting, but at least it means the morph is working.

Your fingers melt together. Next time you look, they’ve formed a single, many-jointed bug
leg.

SPLOUT! SPLOUT!

Antennae jump out of your forehead as you run out from under the T-rex’s tail. Your body is
growing clumsy as your legs start to thin.

46

Three and a quarter feet. Three feet. Two and three quarters.

You hunker down, trying to hide beneath the ferns. Your waist pinches together. The lower
part of your body swells to form a bloated insect abdomen. Your skull melts away. Your ears
and hearing fade, making the roar of T-rex sound far way.

Which is a good thing.

Because the T-rex is close. It is patiently sniffling through the ferns, searching for you with
its Buick-size snout.

The roach mind bubbles up at the same time extra legs suddenly pop out of your chest.

I’m cool, the roach mind seems to say. The roach is happy under the ferns. Calm, collected.

Then—

CHOMP!

It has you!

Up, up, up you go. A two-foot roach impaled on an even bigger dinosaur tooth. High into the
air.

Wet, pink, warm. You’re in T-rex’s mouth! Lolling in a pond of spit just under its slab of a
tongue.

Somehow, you manage to keep your concentration, to keep morphing. Now you are a foot
long. Half a foot. You pop free of the massive tooth. You’re ripped practically in two. But
somehow you’re still alive.

T-rex clamps down. but now you’re more roach than human and the space between the
dinosaur’s teeth and gums seems like a huge pink cavern.

Go toward the light, you think.

Now the roach mind is starting to panic, to protest. You fight for control. You crawl right out
over the T-rex’s lip and out onto its pebbly skin.

Must tickle.

The T-rex gives a massive swing of its huge head, and sends you flying.

<Aggggghhhh!>

Down, down, down.

You catch a flash of blue, green, brown.

Thunk!

47

You land on your back in the mossy soil. Wiggling your legs in the air. You stretch,
scramble, stretch, scramble, and flip.

You’re right side up and alive.

Killing a cockroach is hard.

———

Chapter Twenty

You squish yourself down under a nice piece of moss next to a tree root. The roach body
makes itself small, stays perfectly still.

The T-rex doesn’t know you fell out of its mouth. Isn’t interested anymore. It has found new
prey.

<Watch out, Marco!>

<Coming up behind you!>

From your hiding place, you can’t see what’s happening to your friends. But you notice their
calls and shouts are growing distant. Even the T-rex’s footfalls fade away.

You’re a bug alone in Dinoland.

Now what?

Find the others, you think.

That means demorphing. Has to. Catching up with them as a roach would take forever.

Reluctantly, you concentrate on your own body and feel the changes begin. Antennae
dissolve. The roach’s exoskeleton softens into human skin. Extra legs wilt and slurp up into
your chest.

And you grow. Up out of your safe moss hideaway. Zooming up to your own true height.

A grinding sound as your bones grow back and join together to form a skeleton. A slish
slosh as your stomach, kidneys, pancreas, and blood vessels spring back. Your heart
reappears and immediately begins banging against your rib cage.

Now you’re a human alone in Dinoland.

You walk, then trot, then start to run.

“You guys! Wait up!” you shout.

Nobody answers.

48

Following the trail isn’t difficult.

You can see the snapped saplings and crushed ferns where the T-rex pushed through the
forest. You can follow the dinosaur’s talon prints.

There’s one every five or six feet.

You run until your lungs burn and your side aches.

You slow it to a walk and trudge along. Your bare feet are bloody and bruised.

The sounds of the forest terrify you.

Twigs snapping.

Leaves crunching.

Something scampering through the low vegetation.

The light under the trees starts to fade. The sky shades from blue to deeper blue to red. The
trees around you begin to lose their sharpness.

Twilight is coming on.

Then night.

You have maybe ten minutes of daylight. Twenty, tops.

Do dinosaurs hunt at night?

You have no idea.

You come out of the woods and into what looks like a big pasture full of tall grass. You see
a flickering light off in the distance. You smell something—

Smoke!

And something else—

Meat!

You start to run.

Jake, Cassie, Marco, Rachel and Ax fill you in on their adventures while you chew on what
turns out to be T-rex shish kebabs.

Here’s the deal:

Ax killed the T-rex seconds before it killed Marco.

Cassie figured out how to turn the T-rex hide into food and shoes.

49

Rachel used a couple of twigs to start a fire.

After eating a couple chunks of meat, you are starting to yawn big time. The run through the
forest, the constant adrenaline rushes are getting to you. Your eyelids are hard to hold up.

So is your head.

The others are still talking, still discussing the situation.

You stretch out on your side next to the fire. You make a pillow out of your hands and close
your eyes. Almost immediately you fade into a dreamless sleep.

At first you’re not sure what wakes you up. You stare at the black night. Roll over and blink
at the blazing fire.

Cassie and Ax are on their feet. Rachel is shaking herself awake. Everyone is staring out into
the darkness.

“What is it?” you ask, sitting up.

Jake’s voice. He’s running out of the darkness. “Everyone get out of the way!” he yells.

“Stampede.”

“Stampede?” Marco demands incredulously. “What is this, a cowboy movie?”

“MOVE!” Jake yells.

Do you morph roach? Go to chapter 21. Do
you run? Go to chapter 22.

50

Chapter Twenty-One

Morph, morph, morph! you think.

You can already hear the dinosaurs coming.

Boom! Boom! Boom!

You try to focus your panicky mind on the cockroach. Antennae sprout violently from your
head. The changes are beginning!

Faster, you think.

A sound like rolling thunder. Like a train bearing down on you.

BOOM! BOOM! BOOM!

You can vaguely make out the herd. Long-necked dinosaurs. Big. Huge tails. Taller than
elephants or giraffes. Heads on the same level as treetops.

“Why are they running?” you demand.

<A T-rex!> Tobias yells. <Heading this way!>

BOOM! BOOM! BOOM! BOOMBOOMBOOM!

The dinos are closing in. Closer, closer.

It’s hide or get stomped.

But you can’t hide until you get small. And you aren’t getting small!

Your body is segmenting. A hard shell forms over your human arms and legs, over your
face. But you don’t shrink. You’re a four-foot-something half-roach half-human.

And here come the big boys!

<Run!> Tobias yells.

You try, and stumble. Your legs are fusing together, turning into bloated roach abdomen.

The thunder grows louder. Surrounds you. A whale-size dino passes by you, blocking out
the moon. The herd is all around you.

You’re trapped!

An enormous talon passes right over your head. The dinosaurs are moving around you like
water moves around a rock in a stream.

All you can do is stand still and tremble.

51

Get small, you tell yourself. GET SMALL.

You begin to shrink.

You’re a dog-size roach. A cat-size roach. And then—

Another talon coming down toward your head.

Uh-oh.

You’re a dead roach.

Bad choice. You didn’t have time to morph.

go back to page 51 and choose again.

52

Chapter Twenty-Two

You run.

Boom! Boom! Boom!

Jake is right in front of you. Ax in front of him.

The others are behind you somewhere. I’m glad my legs aren’t as short as Marco’s, you
think.

You can hear the dinosaurs closing in.

Boom! Boom! Boom! A sound like rolling thunder. Like a train bearing down on you.

BOOM! BOOM! BOOM!

Here and there, you catch a fleeting glimpse of the herd. Long necks. Huge tails. Big and
heavy enough to smash you like a steamroller.

Your leg muscles burn. Your lungs ache. But you push yourself harder. Fueled by fear.

<A T-rex!> Tobias yells. <Heading this way!>

BOOM! BOOM! BOOM! BOOMBOOMBOOM!

Closer, closer. The thunder grows louder. Surrounds you. The herd is all around you.

You try to run with it. But the long-necked dinosaurs are faster. And they’re also fueled by
panic.

WHAMMMM!

The ground bounces, stumbling you to your knees.

“ScreeeeeEEEEEE!” a long-necked dinosaur squeals in panic.

A shadow that blots out the moon and stars. Trembling, you turn and look. Then—

CHOMP!

“Agggghhhh!” you scream.

Darkness. Hot breath. A slimy, rough surface beneath you. A tongue!

You’re in T-rex’s mouth!

GULP!

Pressure on all sides. Squeezing you down and down some nightmare tunnel.

53

You’re being swallowed!

A bigger opening. Liquid all around. Water. No, no, no. Too hot to be water. Digestive acid.

You’re being digested.

You are blind. Deaf, except for a sound of churning. And the steady bass drum of a heart
beating.

You grin up against warm flesh, up against something that feels like bones. T-rex’s last
snack?

You’re holding your breath. You don’t want to breathe in the battery acid T-rex has in its
stomach.

What can you do?

With a desperate burst of energy, you try to claw your way out. But it’s hopeless. You can’t
grab onto the smooth flesh lining the dinosaur’s belly.

What can you do?

The Ellimist has given you only one morph: roach.

You begin to morph.

Almost immediately your oxygen-deprived brain calms down. Your thinking grows clearer.

Roach bodies can live longer than humans without much air.

You’re growing smaller. Now the churning of the stomach isn’t so painful.

You’re alive. But for how long?

You pass out. Wake up. Pass out.

When you wake up the second time you notice the stomach has stopped churning. Your
roach senses can smell fresh air.

You force the roach toward the air.

Run!

Up a tube the size of a water pipe.

Run!

Out into a cavern lined with sparking teeth.

Run!

Across a plain of pink flesh.

54

———

Chapter Twenty-Three

You begin to demorph.

Your human eyesight blinks back on. You can see you’re standing next to an enormous
corpse. You’re still only a few inches high. A dinosaur looks the size of an aircraft carrier.

The others notice you.

“Hey!” Cassie says. “You’re alive!”

<Barely,> you say, still more roach than human.

“We all made it,” Jake says, shaking his head. “Amazing.”

“Who killed the T-rex?” you ask.

“I guess I did,” Jake says.

“How?”

“It ate me,” Jake says. “So I acquired it and started morphing in its throat.”

Everyone is buzzed with energy and nerves. You decide to keep walking even though it’s
dark. You trudge through the grass for a few miles. You stop and doze. You get up and
trudge some more.

Nobody knows where you’re going. But somehow walking makes you feel better.

Gradually the sky lightens and the sun comes up. More trudging. And now you’re beginning
to think that sitting down and never walking again would be a nice plan.

“Oh, man, look,” Jake says. “I think we’re coming up on some kind of big gorge or whatever.”

You march up to it. A huge canyon. You’re on the edge of a valley hundreds of feet deep and
miles across.

The valley isn’t empty. Down there, spread across a mile of valley floor, are glittering,
shining buildings. And hovering over them is something that looks like a flying saucer.

A flying saucer and dinos? This is getting weird. If you
decide to pretend you never saw the city, go to chapter

24. If you decide to investigate, go to chapter 25.

55

Chapter Twenty-Four

You turn your back on the canyon and walk the way you came. Through the tall grass,
heading for the forest.

You’re hungry. Thirsty. Itchy. Damp from sweating in the heavy humidity.

An added plus: You’re attracting bugs the size of small birds.

At first you complain about the bugs, the humidity. But after a while the group quiets down.

Everyone seems to be fighting depression. You have no idea where you’re going or how to
get home.

Even Tobias seems tired. You notice he is flapping from tree to tree, resting while the rest of
your weird little group catches up.

Once you’ve crossed the plain, you move into the woods. You stop to drink from a spring.

“I wish I had a Coke,” Jake says as he wipes his mouth with the back of his hand.

“Anything in the soda family,” Marco says. “Coke, Pepsi, Sprite, Orangina, root beer. Hey, I’d
even suck down a Tab.”

Ax has one hoof in the edge of the stream. <I find the water in this time period quite
refreshing. Far superior to twenty-first-century water.>

“I want a shower,” Rachel says.

“Why?” Cassie asks. “You already look impossibly clean and well groomed. I swear you have
some sort of force field that repels dirt.”

<Shhh…> Tobias says.

“Why?” Marco says. “I like to bond by sharing grooming tips. Have I ever told you how I keep
my hair so soft and shiny?”

<I think I hear something.>

Jake instantly looks alert. “Check it out.”

“You think?” you repeat. Birds of prey have incredibly shart hearing. You don’t understand

Tobias’s hesitation.

Tobias flaps hard, straining for altitude. <Uh-oh. A Deinonychus. Only about four feet to
your left.>

You spin. Scan the trees. Tobias knows a lot more about dinosaurs than you do and he
sounds worried.

56“Idon’t see anything,”Jake says.

Rachel is already starting to morph. She’s growing, sprouting grizzly fur. “What’s a

Deinonychus?”

“Aren’t those the baddies from Jurassic Park?” you ask.

“Those were Velociraptors,” Marco says.

“What’s the difference?” Cassie asks.

<Deinonychus are bigger,> Tobias says, sounding puzled. <It’s weird. Paleontologists say

Deinonychus was a smart pack-hunter. But this one is alone.>

“Maybe it’s an outcast,” Rachel suggests. “Like a lone wolf.”

You have another idea. “Or—”

“Heeeeeesssss!”

Coming from your left.

“Heeeeeesssss!”

Coming from your right!

You spin around just in time to see a flash of motion. A man-size dinosaur. Leaping. Then—

BAM!

Sharp talons hit your chest, knocking you onto your back. You’re pinned to the ground! You
beat on its pebbly flesh with your bare hands.

The dinosaur lifts one talon. It points a wicked, down-curved claw at your guts.

“No!” you yell.

SLASH!

You’re lunch for a Deinonychus. Go back to
page 55 and choose again.

57

Chapter Twenty-Five

“We’ve got to get down there somehow,” you say. “Investigate. Maybe whoever built that city
can help us figure out a way home.”

FLASH!

The valley disappears.

The prehistoric landscape vanishes.

You and the others are sitting in the middle of an empty IMAX theater. You have the best
seat in the house. Center seat of the center row.

Cassie, Ax, and Tobias are on your right.

Marco, Rachel, and Jake are on your left.

A tub of buttered popcorn sits on your lap. There’s a supersize soda in the cup holder.

Marco picks up his cup. Sips.

“Coke?” you ask.

Marco makes a face. “Tab.”

INVESTIGATE, comes the Ellimist’s booming voice. FIND A WAY. THESE ARE THINGS HUMANS DO WELL.

The houselights dim.

The enormous curved screen in front of you fills with an image. A close-up of a nameless
primitive man. His grubby hands are rubbing two sticks together. A lick of flame starts to
grow, illuminating a face filled with wonder and fear.

The scene shifts. You see a dirty, wild-looking woman tap-tapping a piece of flint against a
stone to fashion a crude tool.

Again the scene shifts. You see men and women of all races weaving fabric, forging glittery
objects of metal, collecting seeds, planting seeds, making sails and canoes and setting off
to explore waterways.

Now the pace of the images picks up. More toolmakers. This time fashioning spears,
harpoons, and arrows. Wheels! Wheels of a dozen different sizes. Wheels on crude vehicles,
on potter’s wheels, on lathes.

And now the humans you see are starting to look different. More light in their eyes. A
keener awareness. You watch them plot the motion of the stars. Create the first irrigation
systems. Stack up crude bricks to build shelters and then ziggurats and then pyramids.

58

People wearing tunics and sandals invent screws, pulleys, levers. Pumps, simple engines,
watermills, plows. Arches, vaults, domes. Amphitheaters, aqueducts, tunnels, bridges.

Lighthouses, roads, and compasses.

Now the images are coming faster. Castles. Gunpowder. Cannons. Maps. Clocks. Ink, paper,
movable type, printing presses and books. Telescopes. Steam engines.

<Incredible,> Ax whispers.

Now the images are spinning so fast they are just flashes.

You see what has to be Benjamin Franklin with his kite. Edison with a bumpy-looking
lightbulb. Then a sprawling city light up. New York!

Streams of people in hats moving down a staircase and onto a herky-jerky train. A subway in

London or Boston or Paris. Delicate suspension bridges. Trains, photographs, telephones.

People climbing snow mountain peaks, probing ocean floors, riding into space on rockets.

Images flashing by, blurring into one another. Airplanes, elevators, skyscrapers, cars,
computers, plastics, drugs, medicine, TVs, lasers, robots, vaccines, satellites.

The screen goes dark.

The theater lights come up.

<That was cool,> Tobias says.

“Very PBS,” Marco adds.

“What does it mean?” you ask.

YOU HAVE PASSED THE TEST.

The theater disappears.

The Animorphs disappear.

You’re in the backseat of your parents’ car. Your dad is driving and your mother is in the
passenger seat. You’re following a big yellow moving truck. On the way to your new house.

“Mom?” you say in disbelief.

You remember everything—the battle in your bedroom, morphing, the Howlers, the T-rex.

You also remember this car ride. It happened a week ago. Back before you ever spent a
minute in your new school.

Your mother turns around and smiles at you. “What is it, sweetie?”

“Nothing.”

59

You feel like crying. You have it to do all over. Now you don’t ever have to go near that
construction site. Now you don’t ever have to discover the blue box.

Unless you want to.

60

Chapter Twenty-Six

You roll. Stumble to your feet.

RUN!

You focus some small part of your brain on morphing. Imagine yourself as a sleek gray wolf
running through the woods.

As you run on your slow human legs, you feel the changes begin. Your jaw stretching
outward. Your bones grinding as your weak human mouth becomes the crushing jaw of the
wolf.

Down comes the massive dinosaur head, teeth flashing, drool drippng. You can see one
huge yellow eye marking you.

Instinctively, you dodge behind a tree. Make a quick turn.

CHOMP!

The T-rex closes its jaws shut on a tree inches to your left. A piece of bark flies into your
cheek.

“HrrrrrRRROOOOAAAARRRR!” the T-rex screams with rage.

<Go eat something else!> you beg.

You’re running full out, knowing it’s hopeless, but needing to put as much distance as
possible between you and that jaw.

SPLING! SPLING!

Your knees change direction mid-stride! You stumble. Your arms are growing, getting
stronger, your shoulders broadening.

You put your hands on the ground. Your hands are still human, but you try running on all
fours. Your wolf legs are only half-formed, but you are already faster.

You dodge through the trees, feeling more at home in the forest. Rough pads are growing
on your feet, making it easier to run.

Then the wolf senses blink on.

The wolf’s ears hear everything. They hear huge insects scurrying under damp leaves. They
hear your friends crashing through the woods a hundred yards ahead of you. They hear

Marco crying in panic. And they hear the footfalls of the T-rex.

WHAM! WHAM! WHAM! WHAM!

61Directly behind you.

Your human mind was afraid.

The wolf mind is terrifid.

A strange whining yelp escapes from your lips. “UrrrUrrrUrrr…”

WHAMWHAMWHAMWHAM!

RUN!

You are all wolf now. Wolves can move. Especially scared wolves. You are going so fast the
ground under your paws is a blur.

Then—

“HrrrrrRRROOOOAAAARRRR!”

CHOMP!

You feel a flash of pain and then—

Nothing.

Bad morph choice. Wolves can run fast.

But not as fast as a T-rex. Go back to page

45 and try again.

62

Table of Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six